Tags
album art, art, beck, blue, cd art, color, color palette, design, gold, green, mellow gold, music, palette, purple, sound in color, yellow

21 Tuesday Jan 2014
Posted in Color Inspiration, Sound in Color
17 Tuesday Dec 2013
Posted in Color Inspiration, Sound in Color
Although I don’t listen to Outline that much, I really did enjoy this album. Their first full length record, You Smash It, We’ll Build Around It, was released in 2006 and since then only put out one more project. The California band has an experimental sound that is full of energy and strong vocals that hit you to the core. My favorite tracks are Aesthetics, Why We’re Better Now, and Shotgun.
The album art is colorful and bright with a dark foundation, featuring an industrial scene that reflects the album’s title as well as their sound. Orange hues take over the sky while black and light blue ground the design. The collage style of the piece and scratchy, yet streamlined lines really do offer a peak into the bands work.

03 Tuesday Dec 2013
Posted in Color Inspiration, Sound in Color
Tags
album art, color palette, colorful, deep cuts, Handy Man, Heartbeats, Karin Dreijer Andersson, music, Olof Dreijer, palette, The Bridge, the knife, This is Now, You Make Me Like Charity, You Take My Breath Away
I recently started listening the The Knife this year when a friend introduced me to them. Deep Cuts, which was released in 2003, was the first album I heard and I was hooked. The Swedish electronic group is made up of brother and sister duo, Karin Dreijer Andersson and Olof Dreijer. Their sound is unique, kooky, wild, and fun.
The whole album is really quite genius but my favorite tracks are Heartbeats, You Take My Breath Away, You Make Me Like Charity, This is Now, Handy Man, and The Bridge. The album art is colorful and geometric, with a digital feel. The shading adds depth and the tones bring a celebratory feel. Its a nice introduction to the party the music brings your way.

26 Tuesday Nov 2013
Posted in Uncategorized
Tags
48, album art, Chris Thompson, color, color palette, Dan Hoerner, Diary, emo, Jeremy Enigk, Little People, melodic, music, music industry, Nate Mendel's, palette, pastel, Round, Seattle, Seven, shading, Shadows, Sometimes, Sunny Day Real Estate, urgency, William Goldsmith
I have always liked Seattle band, Sunny Day Real Estate and recently I went through my music collection and came across Diary. Their debut studio album, released in 1994, was unique and told a strong story. Comparable to other records from bands in their genre, it was an introduction to what we know as emo, and set a strong standard for future sound.
This is definitely one of my all time favorite albums and having listened to it recently, it just brought back all that love. My favorite tracks are Seven, Round, Shadows, 48, and Sometimes, but the whole album is totally worth a listen and more. William Goldsmith exhibits such a genius display of drumming while the melodic yet striking guitars by Dan Hoerner and Jeremy Enigk add such intensity to the music. Although different, Enigk’s vocals seem to create a clear path to your heart, with honesty and passion as a driving force. And being a bassist myself, I can appreciate Nate Mendel’s ability to give the sound the fullness it needs on the backend to be as strong as it is.
The album artwork, created by Chris Thompson, is graced with Little People and a variety of pastel hues. It displays beautiful shading and light work as well as a sense of urgency, which can correlate to the bands sound. This is one album that will always have a place in my heart. It brings me back to a youthful and free time and reminds me that the music industry was once a validated entity, which is surely not what it is today.
